Royalty Free Rock Music

Rock MusicSimple! ^ a b c d T. Warner, Pop Music: Know-how and Creativity: Trevor Horn and the Digital Revolution (Aldershot: Ashgate, 2003), ISBN 0-7546-3132-X , pp. three-4. ^ a b J. Blair, The Illustrated Discography of Surf Music, 1961-1965 (Ypsilanti, MI: Pierian Press, 2nd edn., 1985), ISBN 0-87650-174-9 , p. 2.

^ B. Bradby, “Do-talk, don’t-speak: the division of the subject in girl-group music” in S. Frith and A. Goodwin, eds, On File: Rock, Pop, and the Written Phrase (Abingdon: Routledge, 1990), ISBN zero-415-05306-four , p. 341. ^ R. Sabin, “Rethingking punk and racism”, in R. Sabin, ed., Punk Rock: So What?: the Cultural Legacy of Punk (Abingdon: Routledge, 1999), ISBN zero-415-17029-X , p. 206.

^ A. Rodel, “Excessive Noise Terror: Punk Rock and the Aesthetics of Badness”, in C. Washburne and M. Derno, eds, Bad Music: The Music We Like to Hate (New York, NY: Routledge), ISBN 0-415-94365-5 , pp. 235-fifty six. These bands were dubbed college rock because of their popularity on school radio stations.

Rock music compilation with free rock music from the YouTube Audio Library. ^ R. Walser, Operating With the Satan: Power, Gender, and Madness in Heavy Metal Music (Middletown, CT: Wesleyan College Press, 1993), ISBN 0-8195-6260-2 , p. three. ^ P. Auslander, Performing Glam Rock: Gender and Theatricality in Widespread Music (Ann Arbor, MI: College of Michigan Press, 2006), ISBN 0-472-06868-7 , p. 196.

^ R. Huq, Past Subculture: Pop, Youth and Id in a Postcolonial World (Abingdon: Routledge, 2006), ISBN zero-415-27815-5 , p. 161. ^ H. Jenkins, T. McPherson and J. Shattuc, Hop on Pop: the Politics and Pleasures of Fashionable Tradition (Durham NC: Duke College Press, 2002), ISBN zero-8223-2737-6 , p. 541.